Andrea Bellomo writes, coordinates communication projects, and teaches personal branding. He only takes on work that puts people at the center — he looks at the numbers, but always with a hint of suspicion. People often mistake him for someone who handles impressions, but he’s all about content — he’s a creative.
He is a contributor for The Good Life, coordinates the Lamborghini Magazine, and collaborates with ACI Editore. He considers himself the soul behind Youngclassic, an editorial project that explores cars from the ’70s to the early 2000s with the perspective of someone who truly knows and loves their style, history, and language. He also writes for L’Automobile and L’Automobileclassica (and yes, he handles the social media for all the publications).
He was the Creative Director of Quattroruote, where he also built the brand’s social identity from scratch, giving voice to a historic magazine in a new, necessary language.
He has been teaching for many years in both Milan and Rome — at Business School24, Domus Academy, and Scuola Politecnica di Design — with a teaching style that’s a well-balanced mix of memes, well-crafted slides, and real conversations. Students appreciate him because he doesn’t just quote theory — he gets straight to the point, with them.
He holds two degrees: one in Business Communication and one in Communication Design from NABA, with a cross-media thesis on narcissism and self-portraiture (back when the word “selfie” wasn’t even around). Today, he studies Transactional Analysis at the Centro Berne, to better understand how we’re doing — and why.
Oh, and for several years, he was the only correspondent for L’Espresso at the Sanremo Festival. No one really knows how he got there, but he stayed just long enough to return with real stories, subtle behind-the-scenes takes, and a few controversies.
Curious, easily bored, Fellini-esque. If a project doesn’t put people first, he just pretends he never saw the email.